Teliyaleru Rama: A Two Word Music Meditation to Enter Into The Unknown

In this video, Prasant brings in a famous composition of Saint Thyagaraja, a revered composer of South Indian Classical music. Please note: the following has nothing whatsoever to do with Saint Thyagaraja’s intended meaning in the composition nor is it any kind of translation, analysis or commentary. I thank you in advance for understanding this. Here, rather than rendering or commenting on the composition, we go into a spontaneous contemplation through Music and Silence on the first two words of the composition alone, Teliyaleru Rama, which literally mean “[I] don’t know, Rama.”

This is an invitation for us to realize that, in fact, we don’t know. When this is seen, the mind returns to its Source in the Unknown. The mind lets go of its constant attempt to know some thing through thought and rests in what can never be known through the mind but can be felt and realized to be our Self. This is simply the Unknown. Resting continuously and permanently in the non state of the Unknown brings the resolution to all questions and confusion along with freedom. This brings no conflict in day to day life. If it seems to do so, notice that you are probably no longer resting in the Unknown but have in some way, perhaps subtle, embraced a concept or thought about your experience.

This video is here to give you a direct experience of This Unknown, not only talk about it. During the music portion, just relax, rest and feel.

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Return to Your Self: Hamsanandi raga music meditation on saxophone for natural Realization of Truth

Prasant shares raga Hamsanandi on the saxophone here for easy resting into our nature and natural abidance as Truth.

To best utilize the video, completely relax and rest. Notice and rest in the Silence. As the sound arises, notice and feel the sound, letting it completely fill the entire field of awareness. During each silence in the music, you may notice you are slipping into deeper and deeper Silence and peace. That Silence, just simple awareness, free of any condition, thought or idea is our nature and is the Source of all. Simply continue to rest as This that you have discovered effortlessly to be the essence and the completeness of what you are. Please continue to sit for the last minute after the music as stopped and rest in Silence completely during that time.

Enjoy your day and/or remainder of the existence, enjoying this Being that we always have been! 🙂

The image at the end is Arunachala at Tiruvannamalai, India.

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Download Prasant’s solo saxophone tracks for effortless meditation, Peace and Self Realization here:
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#selfrealization #awakening #enlightenment #musicmeditation #sound #peace #realization #freedom #silence

New video: One Note to Self Realization, Peace and Freedom

In this video Prasant shares an easy technique to Self Realization through the power of fully experiencing just one note of music. Music is an extremely powerful medium that can instantly and irreversibly lead us back into our own natural state, the stateless and free Self. This is the true Peace and Freedom that we have always been searching for.

In the video, Prasant plays a sequence of one sustained note with silence on the saxophone to allow you to experience This.

Simply feel and allow the sound to completely fill the awareness and when the naturally arising enjoyment is reaching its peak, it will naturally lead you to it’s own Source. Where the sound came from is where you came from. Realizing this you will instantly be free. This is instant realization.

Intro music is by Prasant’s trio VidyA from a live performance. There are some videos of this group on this YouTube Channel and albums on his website.

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Download Prasant’s solo saxophone tracks for effortless meditation, Peace and Self Realization.

New video: Saxophone raga meditation for immersion in Truth at Arunachala (4K)

Effortlessly dissolve into your natural state with this unedited video of Indian raga Revati on saxophone. Be completely immersed in the Stillness, Silence, Truth and Presence of Arunachala in Thiruvannamalai, India.

Notice all the sounds of the atmosphere and music in complete symphony and harmony together. This same symphony is continuously playing within your own Being. The music within (all thoughts, sensations, perceptions and notions) and the music apparently without (whatever is seen or observed through the senses) are all part of the same grand symphony of perfect manifestation and perfect Silence.

The sound of Music and the sounds of Nature at Arunachala bring forth waves of joy, peace and contentment. Soon it is felt that the deepest core of Silence is the Source and the Truth but not separate from all that arises. Rather, it is vividly present and literally IS all of This! Music, Silence and Nature easily facilitate direct experience of That.

Here all suffering and separations fall away and only the Truth remains.

Enjoy the Peace and Truth you have always had.


This year, Prasant will be sharing more about Truth and music through this website and YouTube channel. To keep updated, please subscribe for more videos.

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Instant Peace: New raga meditation series

I’m glad to share a new brief raga meditation and inquiry series with you for abidance in and as complete peace and freedom.

Realization of truth and the dissolving of the mind in its Source can happen at any time and it does not have to take long. It is always here and waiting for your recognition of It as yourself.

What is important is to feel and experience this for yourself, beyond words and concepts.

In this series, Instant Peace, you are invited to dissolve into the sound and silence of the music to instantly melt into the Peace that you already are. The videos are only a minute long.

Here are some posts from the series so far. Follow me on Instagram to see these posts as soon as they are made.

 



The Discovery Approach to Music Practice (part 3): Simple meditations

Part 1 of this series is available here and part 2 is available here. Please make sure to read those first if you haven’t yet. To recap, this approach is essentially a “hidden in plain sight” simple way of practicing music slowly, that allows for both enjoyment and results in music practice. In part 1 and 2, we covered what the Discovery Approach is, why we might want to use it and how it might be effective and helpful.

This approach assumes you have something somewhat specific that you want to practice, like a line or piece of music, raga, chord progression etc. as a music student or practitioner. If you want to utilize music to realize your real nature itself (Enlightenment, Self Realization etc), please see Naada Yoga for Total Liberation (multi-post series in progress.) It’s all the same in the end, but the focus is a bit different.

Now let’s dive into some simple meditations or visualizations to help enter or access this natural approach for practicing music.

1. Turn off the lights, turn off the mind, awaken natural attention

Relax. Breathe. Visualize sitting in a classroom or lecture hall or perhaps a large sports stadium at your favorite match. Or maybe a concert with your favorite artist. Choose whatever appeals to you. You are engaged in whatever is taking place and there appears to be quite a bit of activity.

Now, suddenly, all the lights are switched off at once. Notice and watch carefully what happens. Immediately, pure wakeful attention comes forward and distractedness and thoughts fade into the background. If fear arises, simply notice it and allow it to subside as it is not necessary right now.

Rest in silence briefly or as long as you like. Begin to feel the sensations of holding your instrument again or, if you are a vocalist, just notice the body itself and its sensations. Slowly begin your warmup for your practice session. You will notice the intensity of your awareness and attention will be many times more than what it was before this. With practice, dropping into this space will be quicker, easier and deeper.

2. When this step is all there is, you go beyond time and enjoy vivid awareness

Relax. Breathe. Visualize that you are standing alone on top of a very tall tower. It is dark and you cannot see anything. However, you can sense that there are no protective rails or anything to prevent you from falling. From the tower is a walkway leading back down. You begin try to move in that direction but you have no idea which way it is. How will you walk?  First, relax again. Set aside any fear, knowing that there is no external factor that could interrupt you. You would move extremely slowly, feeling with the sensations of your feet touching the floor and perhaps reaching around you to see what is in front of you. Move too quickly and you may fall. Relax. The moment you notice your feet touching the edge, you would naturally pull back and proceed in a different direction, unhurriedly. Simply go as SLOW as needed. This recognition is liberating as you know that with this kind of undisturbed attention and plenty of time, there will be no “fatal” mistakes.

Relaxing into this state of natural focus and vivid awareness, come back to your instrument (or body itself for vocals) and begin playing. This works especially well for working on a piece or phrase line by line. You move through the line the same way you would feel with your feet and senses in this example… Unhurried, going way slower than you normally would, and thus noticing and digesting more than you ever normally would about the music and about what you are doing. Even a few minutes of practice this way is very beneficial.

Just enjoy…

Once you slide into the natural attention through either of these two techniques, simply enjoy the music here and now. Enjoy the sound, the entire experience of playing music. Your awareness is now ALIVE and simply noticing all that happens. Playing is easier and more fun this way. This is the flow and this is the natural way. Mistakes are both less in number and less frustrating. “Mistakes” become a friend that points the way. Simply keep returning to whatever you are doing again and again.

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Transcript of a brief Sangeetha Satsang talk

The following is a transcript of a brief 5 minute intro talk given during a Sangeetha Satsang (Music Satsang or music meditation). You can use this to guide you into meditating with any of Prasant’s saxophone meditation tracks on this website or youtube.

sangeetha_satsang2

I would like to invite you to join me in this meditation. It’s not really a separate meditation. My understanding, my feeling is that your natural state is meditation.

What we’re going to do now is not something I’m asking you to do differently than you are already doing. So just be the same way that you already are. Part of your feeling that you can explore… So now we’re sitting basically in silence. And from the feeling that you have in silence you hear the sound arising from that. So what you could try… as you hear the sound, first relax into just being how you already are. Just relax.

Then as you hear the sound, just feel the sound. Initially, when you hear the sound it sounds like a sound coming from a separate external source, from somewhere else, right? When you hear the sound you first think I’m playing the sound and sending you the sound…yes? [Audience: Yes] So that’s mostly how people feel regularly.

But in this I’d like to invite you to forget about the idea that there’s a sound coming separately from some other source. Initially, even if you feel that the sound is coming from another place, just forget about that and let the sound come into your awareness. Forget about any feeling you have in the body, just notice the sensations. The sound will start to wash over you and it will take over the awareness. So relaxing in that sound, you become comfortable feeling only the sound so there is nothing else except the sound. And alternating that with silence, you go deeper and deeper into the pure sound. Underneath that sound, as you get comfortable in that sound, you can let go more and more. Just basically relax is all. You’ll go deeper into the Silence that’s beneath the sound. So if there’s sound, there has to be Silence supporting the sound, right? So that Silence is your natural, real nature.

So whenever we wake up in the morning, as soon as you wake up before anything arises, you have this perfect Silence. There’s this perfect Being. That doesn’t have anything in it. And, it has everything in it, of course. If there’s nothing in it, there’s everything in it.

For just this moment, you can always pick it back up later, forget about any and all ideas and definitions you have…what something is, what something is not, what your name is, what your family is, what you’re doing here, what you are going to meditate on, how am I going to meditate, all of that just forget it. Completely drop it, right now, right this instant.

So whatever you’re trying to attain is already here. There’s nothing else to get. That’s your inherent nature. The moment you try to leave, attain something, you’ve left your real nature. This idea is just an opportunity to return back to your real nature. And it’s already here, it’s not that you have to return back to it. It’s already here, but you think it’s somewhere else. So for the time being, maybe you can adopt my idea that everything you need is already here, not anywhere else outside. And just let the music, the sound current of the music…You’ve all heard the sound “Om.” Everyone’s heard of Om. So they say that’s the sound of the entire manifestation. So feel this sound as the Om arising within you. And not only within you, everywhere. Not within, not without. Forget about within and without. Just be exactly as you are right now. Not something else…or a body or anything. Just relax into that sound and eventually relax into the Silence, that’s all. So there’s nothing really to do, just enjoy. Thank you.

Please enter into silence for a few minutes. If you would like you can sit with one of Prasant’s tracks by utilizing the players below. For more about Satsangs, visit the Satsang page.

 

YouTube (subscribe free to Prasant’s channel)

The Discovery Approach to Music Practice (part 2): What you want is already here when you SEE.

Part 1 of this series is available here. In part 1, there is an overview of what this approach is about.

The Discovery Approach to practice essentially comes from the realization that what IS is inherently complete and perfect. That perfection can grow and change, but it is inherently full as it is. The practice is then to discover that. This can be successfully utilized in music…or anything.

Let us look into the first analogy: uncovering a fossil or perhaps a lost city. Paleontology, archaeology, etc. Remember, all analogies break down. This is just to convey a perspective-essence that you can utilize in your practice.

If you were going to uncover a large dinosaur or perhaps an ancient city, what would be your approach? Everyone has seen a clip or photo of paleontologists in action. If you come at it roughly, the precious treasure will be damaged. Notice the delicate tools being used, crouched on the earth.

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What will you find? (photo courtesy kenosha.org)

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The goal is already here, so there’s no hurry. (photo courtesy answersingenesis.org)

The approach is wide open seeing, gently pressing onward to uncover that which you want to find. There is no hurry, no clock. There is a great deal of sensitivity in the work. The team or worker will take as long as it needs to properly expose the dinosaur’s remains. Days, months or years. There is a touch of reverence for what may be discovered. The goal is available right at the fingertips to the point that it can even be touched, yet such care is taken. It is already complete and finished and does not need to be created. It simply awaits discovery. (I will go into how this relates to composing and improvising music another time…this still applies.)

Looking at a phrase, line, piece of music or even a single note in this way might change your entire relationship to it. It ceases to be an item to be completed or scale to get through. You are no longer marking off checklists of completing a number of krithis, scales or compositions. You are not buying groceries here or taking a standardized test or collecting accomplishments.

You become aware of what you are doing in a natural way. You are noticing everything about your experience. You return to just being, which is quite similar to vividly aware FEELing. You notice the entire symphony of body sensations. For example, how does the body posture feel? How do your hands feel on the instrument? Or if you are a vocalist, explore the feeling of the body itself, particularly the chest, head, belly and throat. Now when you go to play, it is not an unconscious “get this done” experience. It is very different. And this is where the analogy ends, because the line of music that initially was like a dinosaur bone, is now ALIVE. Every note comes alive, every breath comes alive. The entire experience reverberates with the sound and feeling of the music. Whatever arises is full and complete in itself. This allows you to actually PLAY music and not do music.

You do not need to wait to enjoy playing music until you have mastered it or even become reasonably good at it. You don’t need to hobble through the initial learning stage or struggle through the advanced and/or professional stages where you run on a treadmill to get infinitely “better,” more skilled and more amazing or impressive as a musician. I’m not saying not to do that. That is a real path. But look at it. The total bliss and enjoyment of music is available now for all. It is THIS note, THIS song that has it. Even a cracked note, HAS it. Most of us cannot see this. But when you approach music with this wide open seeing, the same way a child approaches a flower, you will definitely see.

What happens then, is the hidden fear aspect associated with failing or playing something wrong is either completely destroyed or significantly subdued. This frees up incredible amounts of clarity and vital energy for doing what you really need to do. There is a relaxation as well. Free of the concept of “mistakes,” you end up making less of them.

In the next posts, I will introduce a few more analogy/scenarios that apply to the actual practice process itself. They can be used as brief visualizations or meditations. Feel free to contemplate these first posts, try them out and let me know if it helps.

 

 

The Discovery Approach to Music Practice (part 1)

I’m glad to share a simple approach to practicing music with you that arose while working with some of my Carnatic saxophone students. It is nothing new, but rather a subtle shift in the perspective of the approach that allows for a fresh, relaxed and clear way of practicing whatever it might be that you are working on in your  musical journey. It also may incidentally lead to spiritual insights and/or deeper peace.

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The Discovery Approach to practice essentially comes from the realization that what IS is inherently complete and perfect. That perfection can grow and change, but it is inherently full as it is. The practice is then to discover that. This can be successfully utilized in music…or anything.

The most common approach most people take is the “try, try again” approach. There is nothing wrong with it, and can be quite useful. You will basically have a line or phrase you want to play and you continuously do it over and over. Each time there are various mistakes that need to be ironed out. With a grunt or worse, you try again and again. Sometimes there will be more mistakes with each repeat. With much hard work, eventually the line is played as desired. However, there is the danger that without rigorous review and weeding out of the undesired aspects, these mistake can show up as a surprise later during another practice or a performance. Sometimes, the mistakes will go unnoticed and actually multiply, leaving you baffled.

With much practice, eventually everything is ironed out and you are happy. It is something like putting rough stones in a tumbler where they are turned around, crashing into each other until they finally come out as precious gems. Or punching repeatedly through a wall until you break through. It works eventually, but it may be frustrating and tiring.

The main missing ingredient in the previous method is usually awareness. In the Discovery method, we focus on cultivating the necessary awareness to listen and really FEEL what is happening. When awareness is turned on at full power, practice is really a completely different ball game. It feels more like you are simply discovering the fully perfect line or phrase with the practice rather then forcefully executing it.

The next ingredient, though it may seem obvious, is to go through the music very very SLOWLY. Many are familiar with the slow aspect. But usually slow playing is used on its own with the side effect that eventually the person playing becomes more aware. Here, we start with vivid awareness and attention and then begin the practice at slower tempos.

How do we get “into” this vivid awareness? Well, your natural state that you are in already  has it. It has the characteristics of both wakefulness and deep rest. But most of us are heavily distracted constantly and find it difficult to see it. What arose to assist here is a set of simple visualizations or extremely brief (just about 10 seconds to a minute or two) meditations with some simple instructions. You can walk yourself through them to awaken the clarity and set the right atmosphere for the practice.

Many of my students have found this approach illuminating and felt their practice was much easier, more relaxing. They felt more absorbed in the music and where able to taste the enjoyment of music itself. This is fundamentally important to playing or practicing music in a time when there are a million different ways to spend your time just on your phone.

In sharing this approach, I am not saying that one approach is better than another. All are useful and good. I see the Discovery Approach and the “try, try again” approach as two ends of a spectrum. But I did feel that this approach I am describing has not been explored enough and could greatly help balance things out. If awareness is cultivated enough through practicing Discovery method, then the “keep trying” method will automatically become the discovery method. They no longer will appear separate.

I will share the pointers and simple visualizations for the Discovery Approach in the coming posts in this series. Feel free to try them with your own practice or with your own students.

For an approach to spiritual liberation (enlightenment, Self Realization etc.) through music, please see the series: Naada Yoga For Total Liberation.

 

New video: Exploration of Sound (Naada Yoga for Total Liberation)

As a supplement to Prasant’s new series of videos on discovering your real nature through music, here is a video of Prasant (saxophone) and his student and friend, Venkat (trumpet). In this video, Prasant and Venkat explore sound together through spontaneous sustained notes. You are encouraged to go through the simple approach to enjoy the sound, dissolve into the sound and finally discover the source of sound, the Silence itself. This is essentially a form of self inquiry using sound as an aid to dissolve the I-thought, the ego, and recognize the already perfect, ever present Being.

As you meet and enjoy the sound, please note that this does not have to do with musical correctness of pitch or tuning or any concept of musical perfection, but with investigating, feeling and riding the sound itself back to your real nature, that is ever free of all concepts and suffering.

Please also note that this is not an intellectual exercise of observing sound or anything like that. This is a visceral experience of the actual feeling of completely dissolving everything that has ever limited you and awakening to your real nature.

For more detail on this approach, here are some of the other videos:
1. Naada Yoga for Total Liberation: An Introduction https://www.youtube.com/watch?v=yBCG-OOQgBE
2. Enjoy the Sound https://www.youtube.com/watch?v=vbJnekQLsw8

The next few videos will go into more detail on the dissolving step and the recognition of silent awareness or Being. This video is a brief overview. You can use these guidelines while practicing or listening to music. You may find it helpful to do this with Prasant’s other meditation videos here on YouTube. Here is the playlist.

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