To remember:
Ramana Maharishi
To remember:
To remember:
Well, now that February 1st midnight has come and gone, the first charity push on the new prasantmusic.com is now over. In case you don't know what I am referring to, check this post. I gave myself a day to reflect before posting.
Hello everyone, I hope this post finds you well in this first week of February. Hopefully everyone has got the iPad frenzy out of their system by now.
I have been enjoying this gem from the 1967 Krishnaghana Sabha concert where they have rendered Thyagaraja’s Lalgudi Pancharatnams in addition to an RTP. The whole concert is amazing.
Dear Friends,
Here are a few pics from a chamber concert at the Chandreshekar residence from last month in Fremont, CA. With Susheel Narasimhan and Karthik Gopalratnam. It was a nice concert series and I hope they continue to host such concerts.
For the Carnatic listeners out there. One of the most commonly sung compositions rendered with rare depth. I am a fan of both of these musical giants. Enjoy!
I know everyone has heard and probably most of you have already donated. But in case you haven't yet, here is a friendly reminder.
Please donate now! http://www.redcross.org/Here is my review of the latest Apple Mac MIni. Check it out!
The verdict: Surprisingly powerful for the price — a very useful, energy efficient and simple machine.
Just got this link in my e-mail. Thanks to this student at SMU who wrote a brief article about our performance at SMU back in September featuring Patri Satish Kumar and Thiripunithura N. Radhakrishnan. It’s nice to see a perspective of how the music made her feel rather than a song list and technical breakdown of ragas/talas etc. I was moved. A little excerpt:
The first song starts with Radhakrishnan on the saxophone, and it draws me in. I can feel all tension in the air start to melt away, leaving a sense of raw, unadulterated discovery hanging overhead. The man to the left of me closes his eyes, hums softly, and becomes enveloped in the music. As the percussionists enter the song, Radhakrishnan plays as if in a trance. He and his instrument are one and we as the audience witness a conversation between man and music. It is just extraordinary! There is really no way with words to describe the kind of communication between Radhakrishnan and the notes he is playing around him, or the way that it makes me feel.
The whole thing is at http://www.smu.edu/Meadows/NewsAndEvents/2009/090930-WorldMusic.aspx#